While “A Christmas Carol” dose a better job getting me in the mood for the holiday, I think “It’s a Wonderful Life” has a more universal appeal that can resonate with a wider audience. In other words, I think just about anyone can watch this movie, regardless of religion, or what holiday they celebrate, and still gain something from it. The character of George Bailey is a great example of someone who sets goals and a direction for themselves. In general, I think it’s very important to set goals for yourself to reach or succeed in. However, it’s the message of appreciating one’s life, and how everyone’s life has value that really resonates with me the most. Not everyone is lucky or fortunate enough to live their dreams or ambitious, which is why it’s important to make the most of each day in our own ways, weather that be a humble day’s work, or time spent with the family … the sky is the limit for what you can do to make the most of yourself. That’s why I don’t view this as a strictly Christmas oriented movie, in truth I prefer watching this film on Thanksgiving, a time to reflect on what I’m grateful for, and then it segues nicely into Christmas. Having said that, the film certainly has its appeal’s that get me in the mood for Christmas. The opening title card sequence has the credits appearing on decorative Christmas cards, which was very appropriate as it was nine lines on a Christmas greeting card that inspired screen writer Philip Van Doren Stern. In 1943, Stern wrote a short story called “The Greatest Gift”, which would become the base point for “It’s a Wonderful Life”. Frank Capra took inspiration from it and signed on to direct the picture, and the rest is history.
One little detail that always stood out is a scene in which George sets down a Christmas wreath to answer a phone call, and then in a rough edit, the wreath is instantly back around his arm. Another thing I love about Capra’s direction is that he fills each scene with a lot of buzz and activity, so it always gives the audience something to look at. He also gives individual scenes some personality, so they’ll leave more of an impact. George and his girl friend Mary have a romantic walk through the neighborhood, and to add some flavor, there’s a guy on his porch getting agitated that George doesn’t just come out and confess his feelings already. Then the scene gets even more fun as Mary accidentally looses her robe, hides behind a bush, and George just plays around with her a little. That’s what I love about this movie, as it’s mainly a drama, but it’s not afraid to have some fun with itself. It’s also just the right amount of fun, and it can transition into the more serious moments smoothly without feeling tonally offbeat. I should note that this film also features my all-time favorite kiss ever shared on screen, not so much for how it was framed, but for the buildup leading into that kiss, as it gets me smiling and laughing every time. Of course, Frank Capra also knows how to highlight the heavier moments. When George is stuck in the alternate world in which he never existed, there’s a very intense close up of his eyes as he looks around in disbelief, and it’s really effective.
Donna Reed just warms the heart as Georges wife Mary, Thomas Mitchell is very charismatic as the loony Uncle Billy, and Henry Travers is infectiously lovable as George’s Guardian Angel Clarence. Lionel Barrymore is also disgustingly wicked as Henry Potter. When it comes to really nasty characters that I love to hate, this is one of the first that comes to mind. Without question, it’s James Stewart in the leading role of George Bailey who makes this film soar. He rightfully got an Oscar nomination for best actor, and it’s my favorite performance in his long-standing career. James Stewart and director Frank Capra already had a history collaborating on films together, in fact they earlier joined talents in another one of my favorite movie dramas from 1939 titled “Mr. Smith Goes to Washington”, so they were already a powerhouse match. Ironically, James Stewart was also in a movie titled “It’s a Wonderful World”, which sounds eerily similar to this film, but that was more of a screw-ball comedy. There was also something of an Urban Legend that the characters Bert the cop and Ernie the cabdriver are what inspired the names of Bert and Ernie on “Sesame Street”, although the creators have openly stated it was just a coincidence. I was personally more amused that one of the character’s names is “Potter”, and another character is named “Harry”.