Sunday, May 26, 2024

Star Wars: The Bad Batch (2021-2024) (Series Review)

  The 2008 animated series “Star Wars: The Clone Wars” was a touchstone for the franchise, as well as a base point for most other “Star Wars” shows to spring-off of. Whether it be live action shows like “The Mandalorian”, or further animated shows like “Rebels”, just about all of them are tied into that 2008 series in some form. The closest series to directly springboard from that original animated show is the 2021 animated series “Star Wars: The Bad Batch”, which continues right where “The Clone Wars” concluded, brings back established characters from the series, and gives us a unique, first-person perspective of the changing order of the galaxy at large, after a decade long war. The titular Bad Batch are a group of genetically mutated clone troopers, each with their own special capabilities, and distinct personalities. They were originally introduced in the final season of “The Clone Wars”, and now they take the rains as the main characters of their own story.

  The series begins with a special hour-long premiere episode titled “Aftermath”, and to get right to the point, this is currently my favorite premiere episode of any “Star Wars” program I’ve seen thus far. In the final hours of the Clone Wars, our team of mutated heroes, The Bad Batch have just won a battle along with their fellow Jedi ... one of them being a young Kanan, setting up his character for the animated “Star Wars: Rebels” series, which was a cool addition. Unfortunately, the time has come for the evil Emperor Palpatine to make his control of the galaxy known, as he executes order 66, forcing all the Clone Troopers to betray and murder their Jedi commanders. 

The only ones unaffected by this are the Bad Batch themselves, as their mutations make them immune to the Emperor’s immediate control. They let the young Jedi Kanan escape, don’t approve of the changes taking shape around them, rebel against Admiral Tarkin, and gradually make themselves enemies of the new Empire. It’s a rock-solid opening, and got me excited to see where their journey will go next. Shortly after, the team meet a new mutated clone, who comes in the form of a small girl named Omega. She too has unique enhancements, as well as special blood vital to the Empires secret experiments, making her a valuable target. The team end-up taking the girl as their own surrogate daughter, and together, they venture out into the galaxy to try and make a life for themselves, do good where they can, and all while avoiding the long arm of the growing Empire.  

  Unlike many other “Star Wars” programs, this isn’t about making a difference to the galaxy at large, and has a tighter narrative focus on the characters, and how their lives are frequently challenged by this new order. The characters themselves are familiar archetypes, but are fairly likable, and make for decent company to go on new adventures with … even though none of them will be ranking among my favorite characters in the franchise. Dee Bradley Baker returns to voice all the clone troopers, and by extend is practically a one-man cast voicing all the members of the Bad Batch. He really flexes his vocal talents and theatrics, giving each character a distinct feel and presence. Hunter is the stoic, yet sympathetic team leader, who’s probably the least interesting of the bunch, but does his job fine. Wrecker is the muscle of the group, short on intellect, but is the most combat efficient, and has a big heart. Tech lives up to his name as the smart, calculating member of the team, yet shows less emotion. Next is Echo, who was once a regular clone, but after nearly dying in battle has now become a cyborg, with mechanical limbs.

 The last and best of all the Bad Batch members is Crosshair, who has the most layered character journey of any member. He was the cold, no nonsense member of the team, as well as a skilled sniper, and was always a little at odds with his brothers. At the start of the show, he’s the only one willing to remain loyal to the Empire, making him a dangerous enemy to the Bad Batch. However, as he continues his personal journey, we see him become more and more repulsed by his ruthless masters, and eventually returns to his brothers as a welcome member of both the team and family. He’s a great character who always kept me guising what he’ll do next, and watching his journey unfold was absolutely a bright spot for the series. Rounding up the main characters is the little girl Omega, who’s the mandatory child character to star in these animated “Star Wars” programs, and brought to life with a great deal of vocal charisma by actress Michelle Ang. She too is a likable presence at the start, and goes on her own journey of personal growth, becoming yet another well-rounded character in the process.

  One minor reservation I had with this series is that it failed to present a fun rouges gallery of exciting villains for our heroes to face. Part of the appeal of previous animated “Star Wars” programs like “The Clone Wars” and “Rebels” is that they had a great roaster of both new villains and hold over foes for their respected heroes to regularly combat. Occasionally, “The Bad Batch” would feature a classic franchise villain like Emperor Palpatine, or bounty hunters like Cad Bane, but they were sparingly used, and the new villains, while functional, were just too small in numbers. 

There’s a ruthless Admiral named Rampart, voiced by Noshir Dalal, who’s the Imperial figure head of the show, and is okay, but nothing special. The main villain is a nasty scientist named Dr. Hemlock, voiced by Jimmi Simpson, who’s dead set on using the team as subjects for his twisted experiments. Once again, he’s a perfectly serviceable foe, and quite dislikable, but he just didn’t have the same staying power of other memorable “Star Wars” series villains. Lastly, Stephen Stanton returns to his signature role as the voice of Admiral Tarkin, who functions as the main, reoccurring franchise villain of the series. He’s always a welcome presence, and it’s cool that, even though his character died in the very first “Star Wars” movie, “A New Hope”, he’s still made just as many appearances in other media as any classic villain from the original trilogy.   

  The make-or-break deal for this show is how much you enjoy being with these characters, the simple adventures they regularly go on, and watching them change over the course of the series. To be very straight forward, this isn’t a mandatory series to watch, and it won’t leave any lasting impact on the franchise as a whole, but it can still be enjoyed by its own standards, and quality presentation. I’d actually argue that, while this show doesn’t break any new ground, it is more consistent with its own levels of quality than most other shows in the franchise. It’s a very simple, formula-based series, but is mature enough in its presentation to appeal to older viewers. Just like “The Clone Wars” before it, this series can appeal to kids, but despite being animated, it’s mainly for older viewers, with themes and content that isn’t commonly marked toured the little kids demographic. The animation once again is sensational, and after the more kid-friendly aesthetic of shows like “Rebels”, this series was a welcome return to “The Clone Wars” animation design, and quality.

  Lastly, this show isn’t reliant on established “Star Wars” characters to sell itself, and while I admittedly miss the novelty of seeing familiar faces, I also applaud this show for avoiding the conventional fan service that other shows have fallen into. 

Occasionally they’ll be an appearance from a hold-over franchise character, but they’re not main-stream icons, and serve their purpose in the narrative without becoming distracting. Captain Rex for example is one of my favorite characters from “The Clone Wars” series, but the show wisely keeps his appearances to a minimum, with only one big crossover per season. 

The Bounty Hunter Fennec Shand, who was introduced in the live-action series “The Mandalorian”, also makes some welcome appearances throughout this show, with Ming-Na Wen reprising her signature role. The show ran for three seasons, and had a total of 47 episodes, which was the perfect run-time, as it made for a welcome offering, without overstaying its welcome. From this point, I’ll keep things simple by ranking my own personal Top 10 favorite episodes of “Star Wars: The Bad Batch” … excluding the piolet episode as I already discussed that one.  

 

#10 “Pabu” (Season 2 – Episode 29) 

After two seasons of being on the run from the Empire, the Batch finally find an island sanctuary called Pabu, on a remote ocean planet. This will become their home base for the duration of the show’s run, and this first episode affectively lets our heroes subtle-in, make friends with the community, and the location itself is a great design, with a very comforting atmosphere. 

Unfortunately, there’s always going to be trouble in paradise, and for this outing it comes in the form of a freak tsunami, which is strong enough to destroy most of the city. Omega gets separated in the cause, while the other team members race to help the locals weather the storm. It’s a refreshing change-up for the show to see our heroes battling the elements of nature for once, as opposed to more troopers or another giant monster. It’s also very refreshing to see them as local heroes for a community during a time of crises. While “Pabu” is a fairly simple episode, it makes for a great respite for the team, and an exciting disaster venture.

 

#9 “The Harbinger” (Season 3 – Episode 41) 

Back when “Star Wars: The Clone Wars” was originally cancelled, many important story arcs never saw the light of day, and by extent, many of the main characters vanished without proper closure. This presented an opportunity for “The Bad Batch” to tie-up some loose ends, and bring back characters who were left on the shelf. The former Sith apprentice turned bounty hunter known as Asajj Ventress, was one of the shows best characters, and while she had a scripted arc called “Dark Disciple” (which was re-worked into a decent novel), it never felt as satisfying as actually seeing what happened to her in animation form. 

In this show, she’s back to business as both bounty hunter, and shady anti-hero, with Nika Futterman once again supplying her voice. For this outing, Ventress arrives on Pabu to test Omega, and determine whether she’s strong with the force. It’s another quiet episode, but with great character interactions, and a killer sea-monster as a cherry on top. This marked Ventress only appearance in the show, and could very obviously be written off as a backdoor piolet, but it was still a cool appearance, and it’s good to know that one of my favorite characters still has some lives left.   

 

#8 “Return to Kamino” & “Kamino Lost” (Season 1 – Episodes 15 & 16) 

For the season one finale, our heroes return to their home planet of Kamino, to rescue their leader Hunter, who was taken prisoner in a previous episode. Naturally, it was all a trap set-up by Admiral Tarkin, who orders the entire city destroyed, with a fleet commencing orbital bombardment, and all while the batch is trapped inside. Thus, one of the franchises most memorable locations sinks to the bottom of the sea, with our heroes desperately trying to escape the wreckage. 

To make the situation more interesting, the batches angry brother Crosshair is also caught in the ruble with them, making him a wild card who will either aid our heroes in their escape, or take his vengeance on them while they’re vulnerable. It’s very reminiscent of “The Poseidon Adventure”, with claustrophobic action and building tension. It’s also a fitting end for the first season, to spend the final hours in a place that was once home for the Clone Troopers, before it’s gone for good. It makes for another exciting ocean adventure, and a strong send-off for the show’s first season.   

 

#7 “Shadows of Tantiss” (Season 3 – Episode 35) 

In the aftermath of Season 2, Omega was taken by the evil Doctor Hemlock to Mount Tantiss, where clones are used for several mysterious experiments. This marks her long-awaited reunion with her brother Crosshair, who’s finally willing to listen, and make amends for his past mistakes. Both Omega and Crosshair were my two favorite characters in this series, and the strength of this venture is seeing them bond and work together to escape the facility. 

This episode also marked the last appearance of Emperor Palpatine in the show, as he and Hemlock are seen working on a mysterious “Project Necromancer”, which may tie into events seen in the 2019 movie “The Rise of Skywalker”. I personally wasn’t a fan of that film’s premise, but at least this show is making Palpatine’s return seem less random, which is commendable. The Emperor also looks great in this show, and with Ian McDiarmid reprising his role from the movies, you can’t go wrong.   

 

#6 “Devil's Deal” & “Rescue on Ryloth” (Season 1 – Episodes 11 & 12) 

While I liked our lead heroes well enough, my favorite episodes looked at the larger changes of the galaxy, following after the war. For this two-part venture, the planet Ryloth undergoes a devastating change, in which their clone protectors are turned into a lethal military occupation, who are slowly taking over the populous, and removing all local weapons. Freedom fighter Cham Syndulla is framed for an assassination attempt on a senator, allowing the Empire to put the squeeze on the locals. 

We meet a young Hera Syndulla, who enlists the aid of Omega and the Bad Batch to liberate her people and rescue her family. While Hera and her robot chopper would become lead characters in the series “Star Wars: Rebels”, there’s so much more to this pair of episodes then simple fan service. The mounting tension, character dynamics, and thrilling action all make for a gripping experience, and one of the show’s finest offerings.

 

#5 “Reunion” & “Bounty Lost” (Season 1 – Episodes 8 & 9) 

As our heroes gather supplies from a junk yard, they have their first reunion with their traitorous brother Crosshair, who is loyal to the empire, and ready to take lethal action against the team.

This alone would have been enough to make for a good episode, but things escalate when a third party arrives on the seen … the ruthless bounty hunter Cad Bane, who bests Hunter in a tense gun duel, and takes Omega hostage. Just like with Ventress, Cade Bane was one of my favorite characters from “The Clone Wars”, whose fate was left up in the air. To see him suddenly back in action after over a decade of being absent (with his robot Toto too) and proving once again to be the deadliest gunslinger in the galaxy was an absolute thrill.

In the following episode, Omega attempts to escape, while Bane finds himself locked in hand-to-hand combat with rivel hunter Fennec Shand, making for a riveting cat and mouse game in the process. While both hunters would appear again after this, their joined venture in this two-parter was their most exciting and rewarding as along time fan.   

 

#4 “The Cavalry Has Arrived” (Season 3 – Episode 47) 

In the special, one-hour long series finale, the team make one last visit to Mount Tantiss, with Omega liberating a group of abducted children, while the Batch aim to rescue all the other prisoners, and put a stop to Doctor Hemlock’s twisted experiments … maybe even before “The Rise of Skywalker” gets green-lit … well, no, there not that lucky. Still, what we get is a decent send-off to a decent series, and keeps it’s focus on the main characters, rather than any changing events on the universe at large. While I prefer those larger stories, this was the right note for this series to end on, with plenty of suspenseful action, the villains getting their satisfying comeuppances, and a peaceful ending that left me feeling pleased I shared this experience with these characters.   

 

#3 “The Outpost” (Season 2 - Episode 28) 

As stated above, Crosshair arguably had the most layered journey of any main character in this show, and his arc peaks in this exceptional episode. On a remote, snowy Imperial outpost, Crosshair see’s firsthand how his superiors treat his fellow troopers like expendable tools, and are ready to discard them for a new line-up of canon fire. After many losses and sacrifices un-mourned, Crosshair is finally ready to stick it to the Empire, even at the cost of his own freedom. Everything in this episode is perfect, from the pacing, to the voice acting, to the imagery, to the writing … it’s a solid piece of work, and an important reminder of how adult, and even inspired animated “Star Wars” can be.  

 

#2 “The Summit” & “Plan 99” (Season 2 - Episodes 31 & 32) 

Season 2 of “The Bad Batch”, I felt had the weakest start of any season, and really took a minute to maintain my interest. Thankfully, when this season found its footing, it delivered some of my favorite episodes of the whole show, including my favorite season finale. While Admiral Tarkin holds a special, top-secret mission among fellow, high ranking Imperial officers (including a nicely placed cameo from Director Krennic, the villain from “Rouge One: A Star Wars Story”), the Batch take this opportunity to learn more about their enemies, and maybe discover where many of their clone bothers have been imprisoned. 

Unfortunately, their plan goes south, and the team find themselves trapped on a railcar. In order to escape, one of the team members has to make a noble sacrifice in order for his brothers and Omega to live and fight another day. Even more devastating hits come to our heroes, as their sold-out by one of their allies, Omega is taken away by Doctor Hemlock, leaving our team physically and emotionally more broken than ever before. This is the season closer that just seemed to have the highest stakes, the most emotional context, and left me more excited than ever before about what this show was going to deliver next.

 

Before I reveal my number one favorite, here are some quick Honorable Mentions …

The Solitary Clone” (Season 2)

Point of No Return” (Season 3)

Identity Crisis” (Season 3)

Battle Scars” (Season 1)

Tribe” (Season 2)

 

#1 “The Clone Conspiracy” & “Truth and Consequences” (Season 2 - Episodes 23 & 24) 

Like I said earlier, while this show had a decent cast of characters to follow, I still preferred the episodes that focused on the larger story surrounding the galactic changes of the galaxy. For me, the show absolutely peaked with this, two-part, mid-season event from season 2. Following after the devastation of Kamino at the end of season one, Senator Chuchi and my favorite trooper Captain Rex, team up with the Batch on a dangerous mission to retrieve data tapes, that will expose to the whole galaxy the truth … that the Empire committed their first act of global genocide. 

After many thrilling encounters, our heroes seem on the right path of victory, only to fall into a larger trap laide out by Emperor Palpatine, who uses the truth as a means to strengthen his galactic control, and annex the Clone Troopers in favor of his new Stormtroopers. It further highlights what a deadly mastermind the Emperor is, and how he can use a victory from our heroes as a means for his own goals. Aside from that, this is just a thrilling pair of episodes, with atmospheric tension, larger stakes, thrilling action, twist reveals, great guest characters returning from “The Clone Wars” series, and it just felt like the biggest event for the series to impact the franchises cannon. For me, this was the high mark of the show, and one worth recommending to longtime fans.         

  In the end, I was quite satisfied with “Star Wars: The Bad Batch”, as it was mostly consistent with its own stamp of quality, it had enough highlights, and likable characters to make the experience a good one. In general, I have more feelings for animated “Star Wars” than I do live-action, at least when it comes to their shows, as there’s something rewarding about weekly adventures with this kind of presentation. 

Personally, I prefer my live action “Star Wars” in the theater, as it just feels more special that way. I can’t say that “The Bad Batch” is required viewing for all fans, but it’s certainly recommendable to fans of “Star Wars” animation. I wouldn’t put it on the same high pedestal as either “The Clone Wars” or “Rebels”, but there were certainly enough merits to the experience to make it feel like more than just another animated offering from the franchise, and I look forward to seeing where animated “Star Wars” will go next.    

Thanks for reading my review of the animated series “Star Wars: The Bad Batch” … and continue to enjoy the shows you Love!  


Monday, May 13, 2024

Beaches (1988) (Movie Review)

  There are some acting talents I’m fond of, and always look back on as favorites … and then there are those select talents I occasionally forget I’m a fan of until I watch them in something. Bette Midler is one of those curious examples in which I find myself forgetting I’m a fan of her talents, until I either watch or listen to something involving her work. I was initially introduced to the actress through a number of Disney productions, including “Oliver and Company”, “Fantasia 2000”, and the Halloween staple “Hocus Pocus” was certainly a childhood favorite. However, it was the 1988 Drama-Comedy “Beaches” that I feel really shaped my admiration for her range of theatrics, from her comedic chops, to her singing, to her heart felt dramatic flares, and it’s really a great showcase for her. The movie itself is one of those cases in which, it’s not a perfect movie all around, but it has enough positive things going for it that I feel it deserves to be looked back on, and even remembered for what it did right.    

  Based on the novel “Beaches” by Iris Rainer Dart, this is a tale of “Life and Times”, with a special friendship being the main focus. We open with two young girls named Cecilia Carol, or “C.C.” for short, and Hillary, who are both socially isolated, with one being raised as a stage performer, and the other a rich kid, being raised to be a human rights lawyer. The two girls first meet near the beach, under the boardwalk in Atlantic City, New Jersey. It’s a rare, special moment in both their lives to be socially open with someone, and they become close pen-pals in the process. Over the years, the two keep in touch writing letters, and reunite as adults, starting as close roommates. We then follow these two over the course of their lives, following all the ups and downs, trials and errors, and different directions, actions and consequences these two undergo and face. Sometimes they face struggles and success together, other times their far apart, but no-matter what life throws at them, whether it be good or bad, their friendship endures, and is the one constant in both their lives.

  It’s a simple formula, one admittedly built on predictable conventions, but it all depends on the execution, and how it conveys its life and times formula. I certainly have my reservations with how many of the film’s tropes are executed, but I want to start with the positives, and what this film got right. Right off the bat, the opening sequence with the two little girls first meeting is great, and starts things off on a strong note. Both the child actresses have great chemistry, and the emotions in the moment feel genuine. Also, very well casted kids, as both look exactly like their grown-up counterparts. Honestly, as much as I like the films two grown leads (more on them in a moment), a part of me wishes the whole movie was just these two girls in a little slice of life story.

  Once we transition into their adult lives, the experience of the film gets a little rocky, but once again, not without one consistent quality, which is our two leads. For all the films mixed aspects, Bette Midler and Barbara Hershey are the engines pulling this train, and they are what make this movie experience worthwhile. Bette Midler is a perfect fit for a showgirl, who is open for subtitling down with someone, and having a family life, but her love of the theater keeps pulling her away from any commitments. As stated in the opening, it’s a very theatrical performance, with a wide range of the actress’s talents on display. Not to be overlooked is actress Barbara Hershey as best friend Hillary. She had just portrayed Mary Magdalene in Martin Scorsese’s “The Last Temptation of Christ”, and in this film she effectively complements, as well as balances the theatrics of Bette Midler’s screen appeal. Her portrayal of Hillary is a perfect polar opposite, in that she’s smart and beautiful, but also more reserved, and isn’t one for putting on an entertaining show. The two are naturally drawn to each-other as polar opposites, and are likewise jealous of each other. 

  Now we come to the film’s life and times approach, and this is where my biggest reservations come into play. Despite all the talent on display, and even a decent direction, the film just can’t pace its life in the moment presentation. While we see a number of things develop over the course of several years, it all feels like it’s on fast-forward, with no smooth transitions between the big leaps in these characters day to day lives. At one moment they’ll be at the end or their ropes, and then the next moment they’ll be living the dream. 

Healthy relationships will blossom, only to fall apart within moments, heated conflicts ensue, only to get resolved in the next scene, and it just keeps going at this breakneck pace. It feels less like experiencing life, and more like witnessing a series of events that just come and go. There’s kind of a pointless sub-plot involving a love-interest, played by John Heard. He’s set-up as a main stay character, causing a rift between the two ladies, quickly goes through the motions of both marriage and divorce, and aside from a single scene of helping C.C. get her acting career on track, the character quietly disappears from the back half of the film all-together. There are actually a couple moments when characters will be introduced, and set-up as meaningful, only to disappear from the film all-together.

  One detail I never cared for is a framing device, in which the linear events cut back and forth between C.C. taking a long drive at night to a critical destination, which we don’t see her reach until the end of the film. Once again, the segues between these night driving scenes are not very smooth, and they feel more randomly placed, rather than a natural progression in the narrative. The film also has a dual nature of combining its character drama with a comedic tone, and at times it works, but it’s not always consistent. We’ll get lengthy scenes of melodrama, only for it to close on a funny punch-line, but the delivery can have mixed results, sometimes undoing the good-will a scene had going for it. Other times the comedy helps convey something thematic in the moment, which is when the hummer is at its best. As an example, there’s a great scene in a delivery room, in which Hillary is going into labor, and it’s just as overwhelming for best friend C.C. in the moment. The way the scene plays out with its comedy integrated makes it look like both ladies are delivering this baby, and it really works.

 That being said, most of the comedy is in the first half, where the final act is far more dramatic in tone, to the point where it feels like a different movie all together. I don’t want to go into direct spoilers, but things take a very dark turn, as we watch the two best friends spend one last summer together at a beach house, complimenting where they first met. Hillarie’s daughter Victoria also grows-up fast, and becomes a main focus for the films third act. While events and conflicts still move fast, the pacing is at least tighter near the end, and the life and times experience feels more genuine than it had before. The Victoria character also helps shake things-up, and makes the friendship between our two leads more interesting. The emotional moments are also handled fairly well, and while I wouldn’t call it a tear-jerking ending, like it’s clearing aiming for, I did at least feel all the right emotions in the moment. One great detail at work is the films use of music, which knows when to be silent when a scene requires it, and when to let the tone ride on the beats of the soundtrack. There’s a chilling moment that reveals a character’s situation, and all done silence, allowing the moment to leave an impression.

  While on the subject, lets talk about the music soundtrack to “Beaches”, as it’s arguably the main reason this film has remained in the public conscience. I must admit, it was through this soundtrack that I discovered “Beaches” in the first place. The majority of these songs were already hits in the 1960’s and early 80’s, but effectively woven into the film’s themes, and each memorably performed by Bette Midler. She got to cover a number of hits for this album, including a cover of The Drifters 1960’s hit “Under the Boardwalk”, which became one of the films main themes. Billy Hill’s song “The Glory of Love”, from the 1967 film "Guess Who's Coming to Dinner", was also utilized as a main theme for the film. “Beaches” even utilized Randy Newman’s 1966 song “I Think it’s going to Rain Today”, which was another fitting choice. The film also makes good use of the song “Baby Mine” from Disney’s animated classic “Dumbo”, which I’m always a sucker for. Of course, Midler’s cover of “Wind Beneath My Wings” was a smash hit, topping all kinds of Billboards music charts, and won several awards. While other artists performed this song in the 80’s beforehand, Midler’s cover remains the most popular.

  Despite mixed, to negative reviews from critics, “Beaches” was still a box office success, was nominated at the Academy Awards for Best Art Direction, and it’s had a legacy of its own in the decades sense. While the novel had a sequel, the movie sequel was cancelled. There was a TV remake in 2017, and most significant of all, in 2014, “Beaches” was adapted into a stage musical, which has been sighted by many as being superior to the movie. Personally, I do think the film would have been stronger if it was a full-on musical from the start. In the end, “Beaches” wasn’t a perfect movie … but I quiet like it for what it is, and it’s not without its qualities that make it worth viewing. Speaking personally for a moment, I’ve had a life-time of friends, but only a quarter of them I’ve been able to keep in touch with. As such, a premise revolving around a lifelong friendship is just going to feel special to me. Aside from the memorable soundtrack, the cast is solid, with the two leads making it all worthwhile, and for Bette Midler, it really was a show-case for her talents. Even if the execution was a little rocky, I think the film can still appeal to viewers who like these simple “life and times” pictures.

Thanks for reading my review of the 1988 Drama-Comedy “Beaches” … and continue to enjoy the movies you Love!